
The Dead at Rothbury. Having seen them on Spring Tour, I was very excited at the possibility of hearing them again, in the headliner spot of a festival. Well, the festival itself blew my mind but didn't take away from my principal purpose: hearing the Dead outside!
You can listen to the show here:
http://www.archive.org/details/thedead2009-07-04.peluso.flac
It was a perfect day as the crowds assembled, some to witness a legend for the first time, others to revisit the music and the scene they loved so well. Camping with Deadheads for 4 days was a treat, but the scene was also diversified along generational lines, as well as musical tastes and subcultures. A very colourful and vibrant crowd greeted the Dead on Saturday - some purists will argue that it wasn't a real Dead scene, but I was enjoying the mix very much. We were all there to dig the music, and this was definitely achieved, by young and old, veteran and newbie alike.









Next came Friend of the Devil, which harkened back to the Wild West and brought the archetype of the outlaw to the fore. I started to see a theme developing... Fourth of July was shedding a particular light on all these songs. Place names: California, Reno, Utah..., character types like Loose Lucy and the Sugar Mag, and themes that reoccur in American history: freedom, possibility, self-determination. The Dead were once again conjuring the American folk-mythology that they are known for, in light of the national holiday, in the new temporary intentional community of Rothbury. Playing in the present while remembering the past. Brilliant.





Then came the bass-bomb opening of one of my all-time faves, the bell tolling four dark times announcing the SHAKEDOWN! Now, I am a Shakedown fanatic and heard a killer version at MSG on Spring Tour '09, so hearing it again at Rothbury was a real treat. The crowd was freaking at this point and we were really getting down. I love the sentiment of the song - the seedy side of life in the free world - and the imperative that you just gotta poke around to stir up some magic.
Here's a great shot of Mickey and his gear, and Warren focusing intently on the huge task at hand... China>Rider. Nice to hear this as a suite instead of separately, like earlier in Spring Tour. Bobby fails at the near-impossible task of playing the lead line and singing complex psychedelic lyrics at the same time. It's tough! Luckily he and Warren trade off at singing time and eventually pull it off. Everyone felt the Northbound Train, which roars through the subconscious of the American people.
Next, Rhythm Devils. The Dead invited members of Toubab Krewe and Michael Travis from String Cheese Incident to join them for the drum jam. It seemed like they were off to a rough start - but don't let the delayed video feed fool you - listening back in retrospect they managed to pull off a jam that was heavy and very trippy. Mickey and Billy have really been able to shine this year and this was an interesting musical moment, in the spirit of collaboration at Rothbury.


Space went deep, and then the band burst into Viola Lee Blues, an early adventure in hybridity which joins blues with psychedelia. The Fourth of July theme was apparent again here, remembering those who can't excercise their freedoms.
Morning Dew is a difficult song: the pace is slow and makes for careful playing, the singing is mournful, and the message is stark. The possibility of atomic annihilation has left its mark on the American psyche and this song is a reminder of this. Morning Dew coloured Weir's delivery of Throwing Stones, extending the consciousness of culpability from the local to the global. Message music on the Fourth of July - a celebration, but it's not all a party...
Then the band wanted to bring back the lighter side and threw in a Sunshine Daydream reprise. That lifted spirits and got us ready for the big finish: BIG FIREWORKS! What could be better than the US Blues, an ironic song of celebration and condemnation both, set to the biggest fireworks I've ever witnessed? Not a whole lot could top it. A killer set, beautiful musical suites, multiple messages in the songs that allowed us to contemplate the enigma which is America. Ending on a satirical note while the party goes on... leave it to the Dead to capture the spirit of the USA just right. But the last note of all was, aptly, Not Fade Away. Seeing as this was probably the Dead's last show of the year, it's nice to know that they won't be gone for good, and that the love they share will circulate and spread out from this moment.
To see these boys doing their thing and loving it was very contagious. I really enjoyed their song selections and came away feeling like I'd just ingested a 10-course, 4-h meal! Ultimate satisfaction was seeing the Dead at Rothbury. It was definitely worth the trip. Thanks guys, and keep on truckin!
7/4/09 Rothbury Setlist
* Sugar Magnolia
* Sugar Magnolia
* Eyes of the World
* Estimated Prophet
* Estimated Prophet
* Loose Lucy
* Friend of the Devil
* Into The Mystic
* Help on the Way
* Slipknot>
* Franklin’s Tower
Set II:
* One More Saturday Night
* Shakedown Street
* China Cat Sunflower
* I Know You Rider
* Rhythm Devils
* Space
* Viola Lee Blues
* Morning Dew
* Throwin’ Stones
* Sunshine Daydream
* Donor Rap
* E: U.S Blues (With Fireworks)
* Not Fade Away
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